Hotline / by Martin Cantos

Hotline explores the concept of performing to be seen, mirroring today's social media. Whilst it celebrates female sexual liberation, it serves to question who the spectator really is and how it is him who molds the performance. When it is the hegemonic male gaze who is still the oppressor, the performer materializes and turns ambiguous. This ambiguity is replicated in the model and the medium; as it goes from plastic to flesh as well as from film to a photo of a screen.

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